Top 10 Beaches in the Caribbean

Top 10 Beaches in the Caribbean
To help you choose where to go and more importantly what beach to choose, we have compiled a list of the top 10 beaches in the Caribbean.

1/ Palm Beach (Aruba) – Idyllic beach setting with superb white sand.

2/ Grand Anse Beach (Grenada) – 3km beach with sugar-white sand, lots of space & shallow waters.

3/ Johnson's Point (Antigua) – Made up of secluded coves; these white soft sand beaches are a must for snorkeling & swimming

4/ Pink Sand Beach ( Bahamas) – One of the world's most photographed beaches, often voted world's best by travel publications. 5km's of salmon pink coloured sand, due to red plankton that has mixed with the fine white sand.


5/ Crane Beach (Barbados) – Often voted as Barbados' most beautiful beach. Imposing cliffs, a natural coral reef and soft white sands make for a perfect beach.

6/ Negril Beach (Jamaica) – Laid back atmosphere and Jamaica's prettiest beach. A lot quieter than Seven Mile beach.

7/ Englishman's Bay (Tobago) – A sheltered beach with fine white sand, crystal waters & surrounded by a palm jungle.

8/ Grace Bay (Turks & Caicos) – Part of a national marine park, this beach has fine white sand, calm turquoise waters and is protected by a barrier reef.

9/ Trunk Bay (US Virgin Islands) – A beautiful beach with crystal clear waters, considered one of the best places for snorkeling in the Caribbean.

10/ Shoal Bay (Anguilla) – Put Angullia on the tourism map; sugar-white sand, crystal clear blue waters & coral reefs.

living for love Madonna

First you love me and I let you in

Made me feel like I was born again

You empowered me, you made me strong

Built me up and I can do no wrong

I let down my guard, I fell into your arms

Forgot who I was, I didn't hear the alarms

Now I'm down on my knees, alone in the dark

I was blind to your game

You fired a shot in my heart

Took me to heaven and let me fall down

Now that it's over I'm gonna carry on

Lifted me up, and watched me stumble

After the heartache I'm gonna carry on

Living for love

Living for love

I'm not giving up

I'm gonna carry on

Living for love

I'm living for love

Not gonna stop

Love's gonna lift me up

(Love, lift me up)

Love's gonna lift me up

(Love, lift me up)

Love's gonna lift me up

I could get caught up in bitterness

But I'm not dwelling on this crazy mess

I found freedom in the ugly truth

I deserve the best and it's not you

You've broken my heart, but you can't bring it down

I've fallen apart, I was lost, now I'm found

I picked up my crown, put it back on my head

I can forgive, but I will never forget

Took me to heaven and let me fall down

Now that it's over I'm gonna carry on

Lifted me up and watched me stumble

After the heartache I'm gonna carry on

Living for love

I'm living for love

I'm not giving up

I'm gonna carry on

Living for love

I'm living for love

Not gonna stop

Love's gonna lift me up

(Love, lift me up)

Love's gonna lift me up

(Love, lift me up)

Love's gonna lift me up

Love's gonna lift me up

Love, love lift me

Love, love lift me

God forgive me

I'm gonna carry on

Love, love lift me

Love, love lift me

God forgive me

Love's gonna lift me up

Love, love lift me

Love, love lift me

God forgive me

Love's gonna lift me up

Up, up, up

Don't leave me out, out, out

Love's gonna lift me up

Living for love

Living for love

I'm not giving up

I'm gonna carry on

Living for love

I'm living for love

Not gonna stop

Love's gonna lift me up

Come on, come on, come on

I need you to

Lift me up up up

Come on

Lift me up lord

Apollo

Apollo  is one of the most important and complex of the Olympian deities in ancient Greek and Roman religion, Grecoroman Neopaganism, and Greek and Roman mythology. The ideal of the kouros , Apollo has been variously recognized as a god of light and the sun, truth and prophecy, healing, plague, music, poetry, and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Apollo is known in Greek influenced Etruscan mythology as Apulu.As the patron of Delphi , Apollo was an oracular god the prophetic deity of the Delphic Oracle. Medicine and healing are associated with Apollo, whether through the god himself or mediated through his son Asclepius, yet Apollo was also seen as a god who could bring ill-health and deadly plague. Amongst the god's custodial charges, Apollo became associated with dominion over colonists, and as the patron defender of herds and flocks. As the leader of the Muses  and director of their choir, Apollo functioned as the patron god of music and poetry. Hermes created the lyre for him, and the instrument became a common attribute of Apollo. Hymns sung to Apollo were called paeans.
In Hellenistic times, especially during the 3rd century BCE, as Apollo Helios he became identified among Greeks with Helios, Titan god of the sun, and his sister Artemis similarly equated with Selene, Titan goddess of the moon. In Latin texts, on the other hand, Joseph Fontenrose declared himself unable to find any conflation of Apollo with Sol among the Augustan poets of the 1st century, not even in the conjurations of Aeneas and Latinus in Aeneid.Apollo and Helios remained separate beings in literary and mythological texts until the 3rd century.

Origins
The cult centers of Apollo in Greece, Delphi and Delos, date from the 8th century BCE. The Delos sanctuary was primarily dedicated to Artemis, Apollo's twin sister. At Delphi, Apollo was venerated as the slayer of Pytho. For the Greeks, Apollo was all the Gods in one and through the centuries he acquired different functions which could originate from different gods. In archaic Greece he was the prophet, the oracular god who in older times was connected with "healing". In classical Greece he was the god of light and of music, but in popular religion he had a strong function to keep away evil. Walter Burkert discerned three components in the prehistory of Apollo worship, which he termed "a Dorian-northwest Greek component, a Cretan Minoan component, and a Syro-Hittite component."From his eastern-origin Apollo brought the art of inspection from "symbols and omina" , and of the observation of the omens of the days. The inspiration oracular-cult was probably introduced from Anatolia. The ritualism belonged to Apollo from the beginning. The Greeks created the legalism, the supervision of the orders of the gods, and the demand for moderation and harmony. Apollo became the god of shining youth, the protector of music, spiritual-life, moderation and perceptible order. The improvement of the old Anatolian god, and his elevation to an intellectual sphere, may be considered an achievement of the Greek people.

Apollo in the arts
Apollo is a common theme in Greek and Roman art and also in the art of the Renaissance. The earliest Greek word for a statue is "delight" and the sculptors tried to create forms which would inspire such guiding vision. Greek art puts into Apollo the highest degree of power and beauty that can be imagined. The sculptors derived this from observations on human beings, but they also embodied in concrete form, issues beyond the reach of ordinary thought.The naked bodies of the statues are associated with the cult of the body that was essentially a religious activity. The muscular frames and limbs combined with slim waists indicate the Greek desire for health, and the physical capacity which was necessary in the hard Greek environment. The statues of Apollo embody beauty, balance and inspire awe before the beauty of the world.
The evolution of the Greek sculpture can be observed in his depictions from the almost static formal Kouros type in early archaic period, to the representation of motion in a relative harmonious whole in late archaic period. In classical Greece the emphasis is not given to the illusive imaginative reality represented by the ideal forms, but to the analogies and the interaction of the members in the whole, a method created by Polykleitos. Finally Praxiteles seems to be released from any art and religious conformities, and his masterpieces are a mixture of naturalism with stylization.

Petra

Petra  is a historical and archaeological city in the Jordanian governorate of Ma'an that is famous for its rock cut architecture and water conduit system. Established sometime around the 6th century BC as the capital city of the Nabataeans, it is a symbol of Jordan as well as its most visited tourist attraction.It lies on the slope of Mount Hor in a basin among the mountains which form the eastern flank of Arabah , the large valley running from the Dead Sea to the Gulf of Aqaba. Petra has been a UNESCO World Heritage Site since 1985.The site remained unknown to the Western world until 1812, when it was introduced by Swiss explorer Johann Ludwig Burckhardt. It was described as "a rose-red city half as old as time" in a Newdigate Prize-winning poem by John William Burgon. UNESCO has described it as "one of the most precious cultural properties of man's cultural heritage". Petra was chosen by the BBC as one of "the 40 places you have to see before you die".

History
Evidence suggests that settlements had begun in and around Petra in the eighteenth dynasty of Egypt (1550-1292 BC). It is listed in Egyptian campaign accounts and the Amarna letters as Pel, Sela or Seir. Though the city was founded relatively late, a sanctuary existed there since very ancient times. Stations 19 through 26 of the stations list of Exodus are places associated with Petra. This part of the country was Biblically assigned to the Horites, the predecessors of the Edomites. The habits of the original natives may have influenced the Nabataean custom of burying the dead and offering worship in half-excavated caves. Although Petra is usually identified with Sela which means a rock, the Biblical references refer to it as "the cleft in the rock", referring to its entrance. The second book of Kings xiv. 7 seems to be more specific. In the parallel passage, however, Sela is understood to mean simply "the rock" On the authority of Josephus Eusebius and Jerome assert that Rekem was the native name and Rekem appears in the Dead Sea Scrolls as a prominent Edom site most closely describing Petra and associated with Mount Seir. But in the Aramaic versions Rekem is the name of Kadesh, implying that Josephus may have confused the two places. Sometimes the Aramaic versions give the form Rekem Geya which recalls the name of the village El-ji, southeast of Petra.[citation needed] The Semitic name of the city, if not Sela, remains unknown. The passage in Diodorus Siculus  which describes the expeditions which Antigonus sent against the Nabataeans in 312 BC is understood to throw some light upon the history of Petra, but the "petra" referred to as a natural fortress and place of refuge cannot be a proper name and the description implies that the town was not yet in existence.

The name "Rekem" was inscribed in the rock wall of the Wadi Musa opposite the entrance to the Siq, but about twenty years ago the Jordanians built a bridge over the wadi and this inscription was buried beneath tons of concrete.More satisfactory evidence of the date of the earliest Nabataean settlement may be obtained from an examination of the tombs. Two types have been distinguished: the Nabataean and the Greco-Roman. The Nabataean type starts from the simple pylon-tomb with a door set in a tower crowned by a parapet ornament, in imitation of the front of a dwelling-house. Then, after passing through various stages, the full Nabataean type is reached, retaining all the native features and at the same time exhibiting characteristics which are partly Egyptian and partly Greek. Of this type there exist close parallels in the tomb towers  in north Arabia, which bear long Nabataean inscriptions and supply a date for the corresponding monuments at Petra. Then comes a series of tombfronts which terminate in a semicircular arch, a feature derived from north Syria. Finally come the elaborate façades copied from the front of a Roman temple; however, all traces of native style have vanished. The exact dates of the stages in this development cannot be fixed. Few inscriptions of any length have been found at Petra, perhaps because they have perished with the stucco or cement which was used upon many of the buildings. The simple pylontombs which belong to the prehellenic age serve as evidence for the earliest period. It is not known how far back in this stage the Nabataean settlement goes, but it does not go back farther than the 6th century BC.A period follows in which the dominant civilization combines Greek, Egyptian and Syrian elements, clearly pointing to the age of the Ptolemies. Towards the close of the 2nd century BC, when the Ptolemaic and Seleucid kingdoms were equally depressed, the Nabataean kingdom came to the front. Under Aretas  Philhellene,  the royal coins begin. The theatre was probably excavated at that time, and Petra must have assumed the aspect of a Hellenistic city. In the reign of Aretas IV Philopatris, the fine tombs of the  type may be dated, and perhaps also the great Highplace.

Passenger - Let Her Go

Well, You only need the light when it's burning low,

Only miss the sun when it starts to snow,

Only know you love her when you let her go.

Only know you've been high when you're feeling low

Only hate the road when you're missing home.

Only know you love her when you let her go,

And you let her go.

Staring at the bottom of your glass

Hoping one day you'll make a dream last

But dreams come slow and they go so fast

You see her when you close your eyes

Maybe one day you'll understand why

Everything you touch surely dies

But you only need the light when it's burning low

Only miss the sun when it starts to snow

Only know you love her when you let her go

Only know you've been high when you're feeling low

Only hate the road when you're missing home

Only know you love her when you let her go

Staring at the ceiling in the dark

Same old empty feeling in your heart

'Cause Love comes slow and it goes so fast

Well you see her when you fall asleep

But never to touch and never to keep

Cause you loved her too much and you dived too deep

Well you only need the light when it's burning low

Only miss the sun when it starts to snow

Only know you love her when you let her go

Only know you've been high when you're feeling low

Only hate the road when you're missing home

Only know you love her when you let her go

And you let her go ooooh ooooh oh no

And you let her go

ooooh ooooh oh no

Well you let her go

ooooh ooooh oh no

Cause you only need the light when it's burning low

Only miss the sun when it starts to snow

Only know you love her when you let her go

Only know you've been high when you're feeling low

Only hate the road when you're missing home

Only know you love her when you let her go

Cause you only need the light when it's burning low

Only miss the sun when it starts to snow

Only know you love her when you let her go

Only know you've been high when you're feeling low

Only hate the road when you're missing home

Only know you love her when you let her go

And you let her go